Archive for April 2009

You’re Exciting. No, Really.

Is what you do boring?

A lot of my clients seem to feel that way. In my conversations with them they express grave concerns that their product or service is not a glamorous one. They tend to apologize a lot for what they do in the course of conversation: “Hey, it’s [insert dull-sounding industry here], so there’s not much to say about it, but maybe you can dream up something that sounds good.”

These folks are making that most basic, but common, of marketing errors. They’re focusing on the product or the service itself, and not its the benefit to the customer.

I guarantee you your product or service is NOT boring to that ideal customer who desperately wants or needs it. The right solution at the right time can be very exciting indeed, no matter what the nature of the solution may be.

Take concrete, for example. I once had a business owner in the ready-mix concrete industry express concern that his product wasn’t “sexy” enough to merit an exciting, compelling marketing campaign. Concrete isn’t sexy, huh? If you’re a building contractor seeking the highest quality in workmanship, or the best value, or the most efficient delivery system for that zillion-dollar project, finding the ideal concrete provider for your needs is about as boring as hitting the Lotto jackpot. That’s because it’s the benefit, not the service, that lights up customers’ eyes. The excitement comes from the need fulfilled, the problem solved, the happiness gained. Even a “boring” product or service can yield exciting results.

We can’t all be in a glamorous line of work. But hopefully we know what gets us excited about our business, and hopefully we know how our products or services create excitement, fun, interest, hope, or big bucks for our clientele. That reason you look forward to getting to work in the morning? Start there. Zoom in on that. Think about why you get a good feeling from doing what you do.

That’s an excitement worth communicating.

The Ethics of “Rewriting”

Recently I’ve gotten some inquiries from prospective customers who want me to “rewrite” a pile of existing articles for them. “I have the articles, I just need them rewritten to make them my own.” They’re always careful to omit the part about how they got them, or from whom. I suppose they feel that they can save money by not commissioning fresh compositions, and that maybe by “borrowing” someone else’s expertise and putting their name on it, they won’t have to contribute any original thought of their own.

Come on, guys.

First of all, take note that the person you’re asking this of is a writer himself. The prospect of cribbing another writer’s work does not fill me with joy, nor should it. Granted, there are plenty of bottom-feeders out there who make money “repackaging,” rearranging, or blatantly stealing the genuine work of real writers. But please don’t lump me into that group. Plagiarism disguised is still plagiarism, and if you’re simply taking an article and shoving some of the words around so it looks like new material, that’s a form of theft.

If you quote substantially from a source, be it an an existing article, a scientific study, or a recipe for sugar cookies, you must reference that source. You don’t have to get all formal about it with footnotes and the like (unless that’s the appropriate format for the piece). A simple “According to…” will suffice. But give credit where credit is due.

Whenever someone asks me to “rewrite” another writer’s work, I feel a brief shudder as I imagine another another client, somewhere out there, asking another writer to “rewrite” one of my articles or web pages or whatever for a pittance. I wouldn’t like it, no sir. It’s probably happening, and there’s very little I can do about it. But I can at least refuse to play the game. The Golden Rule, and all that jazz.

Anyway, if one of your purposes for creating and distributing articles is to demonstrate your expertise on the subject matter, wouldn’t it be better to include your own insights and experiences? A generic article reads like a generic article — if it could’ve come from anyone, then it does nothing to build your brand. Unique, personalized content always makes a difference when you’re trying to promote yourself or your business. Spend the extra money and do it right!

One last troubling thought: What if your mass-market “rewriter” is re-selling “your” version of the article to a hundred other clients? What have you gained, other than egg on your face when your clientele discovers just how unique your writing really is?

Don’t go into the copycat business. Invest in the kind of marketing people want to copy from!

Don’t Think!

In his useful and fascinating book Zen in the Art of Writing: Releasing the Creative Genius Within You, the distinguished author Ray Bradbury issues a very interesting command to writers: “DON’T THINK.” From what I’ve read elsewhere, he has kept a sign with this solemn directive over his typewriter as a constant reminder.

Surely writing requires thought. Doesn’t it? The answer, I think, is yes — but only at the right times.

Bradbury’s point is that writers often get in their own way by allowing fears, critical thoughts, and negative self-talk to inhibit their imaginations. These “Yes, but…” thoughts amount to self-censorship, and how can anyone compose and edit at the same time? When any word you write is potentially the “wrong” word, even starting can seem an insurmountable challenge. I recall a cartoon of a writer sitting at his desk, running through his mental checklist: “Okay, plenty of paper…good pen…good backup pen…lamp angle is right…chair is comfortable…the room is warm…perhaps the room is TOO warm….” Self-consciousness is the enemy.

The inner critic threatens every professional, in any field, who sets a high standard for himself. Think of the pressures an Olympic athlete or an internationally-acclaimed musician must face when it’s time to perform. A thousand possible distractions — crowd noises, technical details, health issues, a pounding heart, the nagging “What if” voice begging to be heard — must be put aside before the reflexes, the practiced perfection, can take over and triumph.

DON’T THINK, then, means get out of your own way. Don’t limit yourself before the fact. Let spontaneous creativity bubble up from your subconscious mind without your conscious mind beating it into submission, conformity, and ultimately mediocrity.

But we do have to get the words right! Sure, but that’s what editing is for. Composition is for getting it out; editing is for getting it right. Editing uses a whole different mindset from writing — suddenly you have to turn ruthless in your criticism of the first draft, and the second, and the third. But even here, the word is criticism, not self-criticism. A bad sentence doesn’t make you a bad writer if you fix it. But it’s up to you to summon the discipline and the objectivity to rewrite it into a good sentence.

Meanwhile, the blank page or screen awaits. So be like Bradbury: DON’T THINK!

That Thing I Do

I’m a writer. I write.

Sounds pretty simple, doesn’t it? You’d be surprised, though, how often I’m asked (or assumed) to provide additional marketing services, such as graphic design and layout, media distribution, or branding strategies. While I’m happy to offer basic advice in these areas, my answer is always the same: “I’m a writer. I write. That’s my expertise. If you need these other things done, let me refer you to following experts….”

That’s not a slam against the generalists. I genuinely respect and admire those “utility players” out there who can do it all and do it reasonably well. Sometimes I feel like Dr. McCoy, grumpily reminding everyone that “I’m a doctor, not a (fill in the blank).” But I honestly feel that, in my case, I can render the best possible value to my clients by focusing on doing one thing really well. I would rather provide the writing expertise for a project while attaching a graphics expert, a branding expert, a PR expert, etc., to fashion a final product that exceeds all expectations. It might cost more to hire three experts than one generalist (or it might not — shop around!), but the final result should speak for itself. Remember, marketing expenditures are an investment in your company’s future profitability. Invest wisely.

I’m also a big believer in teamwork. The “think tank” approach can bring exponential gains as multiple brains work together, each dedicated to tackling one aspect of a multi-layered challenge. Having a wealth of opinions, experience and viewpoints gives you more options to work with. And a strong project manager or coordinator can help you keep the whole thing on message, on time and on budget.

I’m fortunate to be connected to many talented marketing professionals, each of whom has specialized skills and experience, and together we become a kind of super-expert, a professional marketing team ready to capture the client’s vision while adding our own blend of fresh thought and creativity. It’s like those Japanese toys that merge to create one invincible super-robot, except that the final product is fighting for your company instead of galactic peace. (Well, one battle at a time….)

So I say again, with pride:

I’m a writer. I write.

Stop Selling and Start Giving

Recently I found myself chatting with a marketing consultant who expressed some frustration with a client’s attempts at writing his own PR: “He’s a great businessman, he’s a strong writer, but he tries to turn everything into an ad.”

A salesperson’s natural instinct is to sell. When given an opportunity to appear in print, we all feel an urge to bombard that empty space with the details of how great we are and why. But we must remember that the only article that interests readers is one that gives them something of value instead of simply lunging for their wallets. Tell us why we should care how great you are.

A press release usually solves this problem by announcing an item of community interest. Your company’s grand opening, improved product line, or expanded service area is a news piece, and your readers gain immediately by knowing more about what’s happening in their town or neighborhood. A sufficiently large announcement attracts the regional or national press, but the operating principle works on any scale — a good press release informs first and markets second.

What about other forms of marketing writing we can use to win readers’ interest in our business? Again, the key is to give them something attractive or helpful. Here are a couple of examples:

Solve a problem.
How many of us have ever needed a quick, authoritative answer to some vexing question, from how to unclog a drain to how to choose a business broker? Post an online article providing ready answers to a question, and you’ve taken a thorn out of your lion’s paw. Add your company’s contact information to the bottom of the article, and that lion will reach out to you the next time a similar thorn causes pain.

Entertain.
A funny, touching, or exciting human interest story makes a great feature article. Entertaining your readers is a surefire way to grab their attention and make them want to learn more about your products or services. And true-life stories can be powerful testimonials. Touch their hearts and they’ll think of you when it’s time to buy.

When we educate instead of sell, we become givers instead of takers. And as BNI is so fond of saying — givers gain!

“I Can Hire a Copywriter for That?”

Brochures, print ads, web pages, sales letters, press releases, video scripts — these products are the meat and potatoes of many marketing copywriters. I know I spend a lot of my time promoting them in my own business, partly because business owners are already aware of the importance of professional copy in these items. But we shouldn’t forget about some less celebrated marketing tools, many of which we see or use every day, that can also benefit from high-impact writing.

LED or video displays. That programmable roadside or exterior display you invested so much money in is only as good as its content. Some of the more sophisticated systems can run animations or even full-motion video, but what are they saying? Maximize the effectiveness of your display system with a series of clever slogans that can be scheduled to run in rotation, seasonally, or however you care to mix them up. I enjoy the challenge of coming up with a new batch of slogans every week or month; my customers enjoy having someone to pass that challenge along to.

Bio blurbs. Have you been asked to submit a short bio for a website directory, printed program, or print marketing package? Many people feel intimidated, embarrassed, or just plain weirded out at the prospect of writing about themselves. A bio isn’t a cut-and-dried informational piece like a resume — just as you would be sure to wear your nice clothes for a photo shoot, you want skilled writing with a certain flair to dress up your image on paper. And in the social media era, a stylish bio blurb is an essential part of any online profile.

Slogans. Ever need just the right slogan for that gigantic banner you plan to drape across your storefront or that big sign overhanging the sidewalk? A copywriter makes an invaluable partner for such projects. A good sloganeer can put together a whole list of terrific catch-phrases and headlines that scream “Look at me!” for your current or long-term marketing needs. Fill that sign up with writing that works so that when your illuminated sign draws customers, not just moths.

There are plenty of other off-the-wall methods for using quality copy to bring in new customers and keep current ones interested. I encourage all you business owners out there to brainstorm the possibilities — and then call your copywriter!

Interview: Mark Roma, Webii

From time to time I’ll be running interviews or guest blogs featuring a colleague’s perspective on the world of marketing, writing, or general business practice. To launch this (hopefully) recurring segment, here are excerpts from a talk with my friend Mark Roma, web designer for Webii in Austin, TX:

WR: Mark, What are some common misconceptions about web design?

MR: First, Many people think that if something looks “good” it is well designed. But there is a profound difference between an image that is aesthetically pleasing and something that functions as complex visual communication. The term “graphic design” has come to denote visual imagery that is not only appealing on some level, but also crafted to communicate a specific message to a particular audience.

The second misconception is that any person with an aesthetic sense can execute design. True design requires an understanding of very specific terminology and techniques. Without this understanding, a designer is likely to confuse and alienate his target audience.

Finally, some amateur designers think that a good static or “flat image” type of design will work well as a web page. A well-composed graphic may appeal to a viewer’s sense of aesthetic, and might even function as a piece of printed material, but there are dozens of technical considerations before any graphic can function as electronic media.

WR: What should we look for when shopping for a web designer?

MR: It is important to learn about a designer’s training, past clients, and design process. All good design is a collaborative undertaking, and if a designer is unwilling to communicate with the client during the design stage, he will be unable to learn enough about his client to communicate the client’s ideals visually.

WR: in this age of templates, you do a great deal of hand-crafted work. Why is this important?

MR: Hand crafting is part of my personal creative process. Unless I begin with pencil and paper, the inspiring part of a client’s visual message can be lost. The “hands on” stage allows me to tap into the well of inspiration that all artistic people have, and to create visual innovations that will communicate my client’s message in a unique way. I learned this process at Savannah College of Art and Design (SCAD), and it remains the standard process for the best designers in the world.

WR: Where does social media fit into the plan, once we have a website?

MR: Regularly added content will inspire your clients to become a regular audience. Their consistent traffic to your site to read updates and postings will boost your site’s ratings on various search engines and make your audience more receptive to your marketing messages and promotions. They feel involved when they can follow your company’s regularly updated blogs and postings on various services like Twitter and Facebook. And posting information about your business on various social media outlets can help establish your credibility as a trustworthy and expert member of your field.

Napoleon Dynamite, Marketing Guru

Napoleon Dynamite – Like, the Best Special Edition Ever!

Napoleon Dynamite has polarized movie audiences ever since its release in 2004. Viewers either love the film or hate it, with almost no middle ground. Napoleon is the kind of teenage spazz you want to applaud, laugh at scornfully, or punch in the face, depending on how his own cluelessness affects others at any given moment. While this uber-geek’s mainstream classmates hold him in the regard you’d expect from them, Napoleon has carved out a place among the nerds, dorks and outcasts who move silently and more or less invisibly through the hallways, including his sort-of girlfriend Deb and his new pal Pedro.

Napoleon wades into the world of marketing when he urges Pedro to run for class president, even though Pedro has no real platform or selling points as a candidate. No problem, says Napoleon in his new self-appointed role as campaign manager: “Just tell them all their dreams will come true if they vote for you.” These words don’t seem to impress the student body nearly as much as Napoleon’s frenzied “Vote for Pedro” dance does, but when the votes are counted, Pedro comes out on top.

So Pedro wins despite his sales pitch — or does he? His crowd may be sitting on their hands during his campaign speech, but bear in mind that his target market is used to not being heard. In a scene leading up to election day we see a wimpy type being harassed by bully, only to have Napoleon sweep in with the promise that “Pedro offers you his protection.” This sort of thing happens more than once, and it becomes obvious that Napoleon is unifying the downtrodden of the school to place one of their own in charge of things. For them, this isn’t just another popularity-contest school election — it’s their one shining chance to raise their collective voice and be seen as human beings for a change. Maybe Pedro really can make their dreams come true.

We may sneer at such over-the-top sales pitches and promises, wondering who on Earth would possibly believe or respond to such blatant manipulation. But you can find a receptive audience for any pitch, if you know your target market. There’s a reason why so many landing pages scream that you can make BIG BIG BUCKS RIGHT NOW without having any skills or doing much of anything: “It’s really that simple! Get your FREE information today!” Hyperbole works if it’s aimed squarely at those who are desperate to hear it.

Finally, and perhaps more importantly, Napoleon understands that marketing isn’t about features (new lockers, more dances, nicer uniforms), it’s about benefits (dreams coming true). Napoleon knows what those dreams are, because he knows his audience.

All that plus mad dance skills! Wouldn’t you vote for Pedro?

When the Wrong Words Are Right

Since I’ve been grumbling about the need for accuracy in marketing copy, let me backtrack for a moment and take a look at those times when breaking the rules can be good.

We’ve all seen examples of riotously incorrect ad slogans over the years. Half a century ago, Winston offered up the famous declaration, “Winston tastes good like a cigarette should,” sparking immediate controversy over its misuse of “like” as a conjunction. Would it have been more correct to say “Winston tastes good as a cigarette should?” Certainly. But would the slogan have been swept into the public consciousness to anywhere near the same degree? No way!

(The tobacco industry seems to have had ongoing issues with grammar. “Us Tarrytown smokers would rather fight than switch!” was another faux pas that nevertheless caught on with the public. Perhaps a new medical study is in order….)

Geeks worldwide know and love (or hate) Apple’s encouragement to “Think Different.” I was just beginning my writing career when that campaign first launched, and I remember some English majors sneering about how Apple’s proofreader was asleep on the job. Surely the company meant “Think Differently!” But they missed the point entirely: Apple was using “different” as a concept — a way of life, not a modifier.

My various writing instructors used to insist that you have to know the rules before you can break them. In other words, if you understand a rule and then break it intentionally, you’re creating a deliberate effect and not an ordinary screw-up. If you’re quoting a certain famous cartoon bird, for instance, you can’t correct his speech to read “I thought I saw a pussycat,” because you’ll lose the whole pop-cultural context and you won’t be making your point (whatever that is).

So, yes, you can break the rules. You may even want to. But make sure somehow that we know that you know. Otherwise you’re just Thinking Stupid.

Are You Saying What You Mean?

I’m a fan of the strange and unusual (no jokes about my mirror, please), so I have a strange fascination for those items of popular culture that don’t quite convey their intended message — the “Bloopers, Blunders and Practical Jokes” of the marketing world. You know, the horrendously ill-advised ads and misprinted news headlines Jay Leno is so fond of holding up to ridicule. One of the more famous online shrines to this kind of unintentional hilarity is Engrish.com, where readers submit ads, product labels, etc. from Japan, China, other parts of the world, all sporting jaw-droppingly wrong English usage.

Disclaimer: I have nothing but respect and admiration for any multi-lingual person in any country. However English-challenged these ad writers may be, they probably speak my language far better than I’ll ever speak theirs. They are, no doubt, highly intelligent creative professionals. But they failed to take that simple but crucial final step — checking for accuracy.

Maybe they thought, “Well, nobody here can read it anyway, but the English letters look cool.” On the Engrish.com site you’ll see photos of Japanese consumers wearing hats or shirts proudly displaying a meaningless mishmash of English words. But even if only 1% of the people in a given country can read the language being used, 1% of millions could still equal a lot of egg on the corporate face.

One of my recent favorites is this one. You’d think that a “Branding & Identity” firm would take a second look at this sign….

Okay, so finding and paying overseas proofreaders for English-language materials isn’t as easy as it sounds. But what about those of us who speak, read and write English natively? What’s our excuse for not proofreading or fine-tuning every word and idea until it delivers a precise, powerful, accurate image, either by ourselves or with the aid of a pro?

Take that extra bit of time and care. Outsource the writing/proofreading/editing if you can’t do it yourself. But take any action necessary to avoid creating your own version of Engrish.

Let Leno write his own material!